Publications

  • 2024

    Physiological audience synchrony in classical concerts linked with listeners’ experiences and attitudes

    In: Scientific Reports

    Author(s): Tschacher, W. Greenwood, S. Weining, C. Wald-Fuhrmann, M. Ramakrishnan, C. Seibert, C. Tröndle, M.

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    DOI: 10.1038/s41598-024-67455-2

    EN
  • 2024

    Developing Digital Classical Concert Stream Offerings – A Typology of Audience Preferences

    In: The Journal of Arts Management, Law, and Society

    Author(s): Egermann, H. Siebrasse, A. Weining, C. O'Neill, M. Tröndle, M. Wald-Fuhrmann, M.

    DOI: 10.1080/10632921.2024.2347397

    EN
  • 2023

    Digital Concert Experience: An Online Research Project on Live Streaming During the Pandemic.

    In: Classical Music and Opera During and After the COVID-19 Pandemic

    Author(s): Kreuzer, M. Wald-Fuhrmann, M. Weining, C. Meier, D. O'Neill, M. Tschacher, W. Tröndle, M. Egermann, H.

    DOI: https://doi.org/10.1007/978-3-031-42975-0_6

    EN
  • 2023

    Audience synchronies in live concerts illustrate the embodiment of music experience

    In: Scientific Reports

    Author(s): Tschacher, W. Greenwood, S. Ramakrishnan, C. Tröndle, M. Wald-Fuhrmann, M. Seibert, C. Weining, C. Meier, D.

    DOI: https://www.nature.com/articles/s41598-023-41960-2

    EN
  • 2023

    The Influence of Formats and Preferences on the Aesthetic Experience of Classical Music Concert Streams

    In: Psychology of Aesthetics, Creativity, and the Arts

    Author(s): Wald-Fuhrmann, M. O'Neill, M. Weining, C. Egermann, H. Tröndle, M.

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    DOI: https://dx.doi.org/10.1037/aca0000560

    EN
  • 2022

    Listening Modes in Concerts: A Review and Conceptual Model

    In: Music Perception: An Interdisciplinary Journal, 40(2), 112-134.

    Author(s): Weining, C.

    DOI: https://doi.org/10.1525/mp.2022.40.2.112

    EN
  • 2022

    Development of the Social Experience of a Concert Scales (SECS): The Social Experience of a Live Western Art Music Concert Influences People’s Overall Enjoyment of an Event but not Their Emotional Response to the Music

    In: Music & Science

    Author(s): O'Neill, M. Egermann, H.

    DOI: https://doi.org/10.1177/20592043221106478

    EN
  • 2022

    Integrated Methods. A pledge for integrative and interdisciplinary research.

    In: The Oxford Handbook of Empirical Aesthetics, Oxford: Oxford University Press.

    Author(s): Tröndle, M. Greenwood, S. Ramakrishnan, C. Uhde, F. Egermann, H. Tschacher, W.

    EN
  • 2021

    Music Listening in Classical Concerts: Theory, Literature Review, and Research Program.

    In: Front. Psychol. 12:638783.

    Author(s): Wald-Fuhrmann, M. Egermann, H. O'Neill, M. Weining, C. Meier, D. Tschacher, W. Uhde, F. Toelle, J. Tröndle, M.

    DOI: 10.3389/fpsyg.2021.638783

    EN
  • 2021

    Physiological synchrony in audiences of live concerts. Psychology of Aesthetics, Creativity, and the Arts. Advance online publication.

    In: Psychology of Aesthetics, Creativity, and the Arts

    Author(s): Tschacher, W. Greenwood, S. Egermann, H. Wald-Fuhrmann, M. Tröndle, M. Meier, D.

    DOI: https://doi.org/10.1037/aca0000431

    EN
  • 2021

    Synchrony in the periphery: inter-subject correlation of physiological responses during live music concerts.

    In: Scientific Reports

    Author(s): Anna Czepiel, Lauren K. Fink, Lea T. Fink, Melanie Wald-Fuhrmann, Martin Tröndle, Julia Merrill

    DOI: https://doi.org/10.1038/s41598-021-00492-3

    EN