Publications-
2021
Music Listening in Classical Concerts: Theory, Literature Review, and Research Program.
In: Front. Psychol. 12:638783. Front. Psychol. 12:638783.Author(s):
DOI: 10.3389/fpsyg.2021.638783
EN
Further Publications
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2025
Classical Concert Visitor Types: Attendance Motivation, Expectation, and Experience
In: The Journal of Arts Management, Law, and Society The Journal of Arts Management, Law, and SocietyAuthor(s):
DOI: https://doi.org/10.1080/10632921.2025.2480585
EN -
2025
Immediate and lasting experiences of a classical concert
In: Journal of Cultural Management and Cultural Policy Journal of Cultural Management and Cultural PolicyAuthor(s): Böndel, Hanna
Author(s):
DOI: https://doi.org/10.1177/270184662513502
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2025
From structural listening to daydreaming: Listening modes influence the individual experience in live concerts
In: Psychology of Music Psychology of MusicAuthor(s):
DOI: https://doi.org/10.1177/03057356241310863
EN -
2025
Memories of the Concert Experience - What Remains?
In: Social Science Open Access Repository Social Science Open Access RepositoryAuthor(s): Hanna Böndel
Author(s):
DOI: https://nbn-resolving.org/urn:nbn:de:0168-ssoar-102244-9
EN -
2024
Affordances and Experiential Dimensions of Digital Concerts: Closer the Eye, Farther the Crowd
In: Music Perception Music PerceptionAuthor(s):
DOI: https://doi.org/10.1525/mp.2024.aa005
EN -
2024
Music Synchronizes the Bodies of Its Audience
In: Mind and Matter, Volume 22, Number 2 Mind and Matter, Volume 22, Number 2Author(s):
DOI: https://doi.org/10.53765/mm2024.203
EN -
2024
Physiological audience synchrony in classical concerts linked with listeners’ experiences and attitudes
In: Scientific Reports Scientific ReportsAuthor(s):
DOI: 10.1038/s41598-024-67455-2
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2024
Developing Digital Classical Concert Stream Offerings – A Typology of Audience Preferences
In: The Journal of Arts Management, Law, and Society The Journal of Arts Management, Law, and SocietyAuthor(s):
DOI: 10.1080/10632921.2024.2347397
EN -
2023
Digital Concert Experience: An Online Research Project on Live Streaming During the Pandemic.
In: Classical Music and Opera During and After the COVID-19 Pandemic Classical Music and Opera During and After the COVID-19 PandemicAuthor(s):
DOI: https://doi.org/10.1007/978-3-031-42975-0_6
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2023
Audience synchronies in live concerts illustrate the embodiment of music experience
In: Scientific Reports Scientific ReportsAuthor(s):
DOI: https://www.nature.com/articles/s41598-023-41960-2
EN -
2023
The Influence of Formats and Preferences on the Aesthetic Experience of Classical Music Concert Streams
In: Psychology of Aesthetics, Creativity, and the Arts Psychology of Aesthetics, Creativity, and the ArtsAuthor(s):
DOI: https://dx.doi.org/10.1037/aca0000560
EN -
2022
Listening Modes in Concerts: A Review and Conceptual Model
In: Music Perception: An Interdisciplinary Journal, 40(2), 112-134. Music Perception: An Interdisciplinary Journal, 40(2), 112-134.Author(s):
DOI: https://doi.org/10.1525/mp.2022.40.2.112
EN -
2022
Development of the Social Experience of a Concert Scales (SECS): The Social Experience of a Live Western Art Music Concert Influences People’s Overall Enjoyment of an Event but not Their Emotional Response to the Music
In: Music & Science Music & ScienceAuthor(s):
DOI: https://doi.org/10.1177/20592043221106478
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2022
Integrated Methods. A pledge for integrative and interdisciplinary research.
In: The Oxford Handbook of Empirical Aesthetics, Oxford: Oxford University Press. The Oxford Handbook of Empirical Aesthetics, Oxford: Oxford University Press.Author(s):
EN -
2021
Physiological synchrony in audiences of live concerts. Psychology of Aesthetics, Creativity, and the Arts. Advance online publication.
In: Psychology of Aesthetics, Creativity, and the Arts Psychology of Aesthetics, Creativity, and the ArtsAuthor(s):
DOI: https://doi.org/10.1037/aca0000431
EN -
2021
Synchrony in the periphery: inter-subject correlation of physiological responses during live music concerts.
In: Scientific Reports Scientific ReportsAuthor(s): Anna Czepiel, Lauren K. Fink, Lea T. Fink, Melanie Wald-Fuhrmann, Martin Tröndle, Julia Merrill
DOI: https://doi.org/10.1038/s41598-021-00492-3
EN